Lloyd Worth, greatest often called the early rock ‘n roll icon behind hits like “Lawdy Miss Clawdy,” “Character” and the semi-forbidden “Stagger Lee,” is useless at age 88.
Worth’s spouse, Jacqueline Worth, confirmed to the Related Press that he died on Monday at a long-term care facility in New Rochelle, New York, attributable to problems from diabetes.
Worth was inducted into the Rock and Roll Corridor of Fame in 1998. He’s among the many final survivors of a post-World Struggle II scene in New Orleans that anticipated the shifts in standard music and tradition resulting in the rise of rock within the mid-Nineteen Fifties. Together with Fat Domino and David Bartholomew and others, Worth common a deep, exuberant sound across the brass and swing of New Orleans jazz and blues that positioned excessive on R&B charts and finally crossed over to white audiences.
“Essential a part of Rock historical past. He was BEFORE Little Richard!” rock singer and E Avenue Band member Steven Van Zandt stated Saturday on Twitter. “Lawdy Miss Clawdy of 1952 has a legit declare as the primary Rock hit…. Righteous cat. Huge expertise.”
Worth’s nickname was “Mr. Character,” becoming for a performer with a heat smile and a tenor voice to match. However he was way over an interesting entertainer. He was unusually impartial for his time, operating his personal file label even earlier than such stars as Frank Sinatra did the identical, holding on to his publishing rights, and serving as his personal agent and supervisor. He would usually communicate of the racial injustices he endured, calling his memoir “sumdumhonkey” and writing on his Fb web page in the course of the 2020 Black Lives Matter protests that behind his “affable exterior” was “a person who’s seething.”
Born in Kenner, Louisiana, Worth was one among 11 siblings and had been singing in church and taking part in piano since childhood. He was in his late teenagers when a neighborhood DJ’s favourite catchphrase, “Lawdy Miss Clawdy,” helped encourage him to jot down his boundary-breaking first hit, which he labored on in his mom’s fried fish restaurant.
That includes Domino’s trademark piano trills, “Lawdy Miss Clawdy” hit No. 1 on the R&B charts in 1952, offered greater than 1 million copies and have become a rock customary, coated by Elvis Presley and Little Richard, amongst others. However Worth would have blended emotions in regards to the tune’s broad attraction, later remembering how native officers within the Jim Crow South resisted letting each blacks and whites attend his reveals.
This March 14, 2011 file picture, reveals Lloyd Worth seems backstage on the Rock and Roll Corridor of Fame induction ceremony, in New York. The New Orleans mainstay and Rock and Roll Corridor of Famer has died. Worth was identified for such hits as “Lawdy Miss Clawdy” and “Stagger Lee.” His spouse Jackie stated he died Monday, Could 3, 2021 in New Rochelle, N.Y. (AP Photograph, File)
Worth was drafted and spent the mid-Nineteen Fifties in navy service in Korea. He started a profession restart with the 1957 ballad “Simply As a result of,” and hit the highest with the brassy, pop-oriented “Stagger Lee,” one of many catchiest, most celebratory songs ever recorded a few barroom homicide.
Written by Worth, “Stagger Lee” was based mostly on a nineteenth century combat between two Black males — Lee Shelton, typically often called Stag Lee, and Billy Lyons — that ended with Shelton taking pictures and killing his rival. Their ever-changing legend was showing in songs by the Nineteen Twenties, and has impressed artists starting from Woody Guthrie and Duke Ellington to Bob Dylan and the Conflict.
Worth’s model opened with a number of spoken phrases that had the understated stress of against the law novel: “The evening was clear, the moon was yellow, and the leaves got here tumbling … down.” The band jumps in and Worth shouts out the story of Stagger Lee and Billy combating over a sport of cube, concluding with a bullet from Stagger Lee’s 44 passing by Billy and breaking the bartender’s glass. “Go Stagger Lee!” a refrain chants all through.
The tune reached No. 1 on the Billboard pop chart early in 1959, however not everybody was entertained. “American Bandstand” host Dick Clark anxious the tune was too violent for his teen-centered present and pressed Worth to revise it: For “Bandstand” watchers and a few future listeners, Stagger Lee and Billy peacefully resolve their dispute.